Peter Paul Rubens

Portrait of a Man, possibly Peter van Hecke (1591-1645)

1131 voorzijde
1131 achterzijde
1131 ingelijst
1131 voorzijde
1131 voorzijde

Peter Paul Rubens
Portrait of a Man, possibly Peter van Hecke (1591-1645)

1630 展览中 房间12

This man is probably the Antwerp dealer Peter van Hecke, and his wife Clara Fourment is hanging on the right. They belonged to Rubens’ intimate family circle, as Clara Fourment was the elder sister of Rubens’ second wife Hélène. The couple clearly live in comfort, in view of their fashionable clothing of shiny black fabrics and fine lace collars.

Rubens was the leading Flemish painter of the seventeenth century. His flamboyant, baroque style influenced a whole generation of artists after him.

技术细节

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1131 voorzijde

Peter Paul Rubens
Portrait of a Man, possibly Peter van Hecke (1591-1645)

1630 展览中 房间12

Purchased with the support of the VriendenLoterij, the Ministery of Education, Culture and Science, the Friends of the Mauritshuis Foundation, the National Art Collections Fund, the Mondriaan Foundation, the VSB Fund, the Rembrandt Association (supported by the Prince Bernhard Cultural Fund), the Jaffé-Pierson Foundation, the Prince Bernhard Culture Fund and the Dr Hendrik Muller National Fund, 2003
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详情

基本信息
艺术家 Peter Paul Rubens (Siegen 1577 - 1640 Antwerp)
书名 Portrait of a Man, possibly Peter van Hecke (1591-1645)
日期 1630
物品名称 painting
库存数量 1131
展览中 房间12
材料和技术细节
技术 oil
材料 panel
规格 114.5 x 90.5 cm

来源

Vicomtesse de Spoelberch, Belgium; Léon Gauchez Gallery, Paris; sold to Edmond, Baron de Rothschild, Paris, before 1890; by inheritance to members of the Rothschild family, Château de Pregny, Geneva; Colnaghi Gallery, New York, 1983; Edward Speelman Gallery, London; on loan from a private collection, Switzerland, since 2000; purchased with the support of the VriendenLoterij, the Ministery of Education, Culture and Science, the Friends of the Mauritshuis Foundation, the Fund for the National Cultural Heritage, the Mondriaan Foundation, the VSB Fund, the Rembrandt Association, supported by the Prince Bernhard Culture Fund, the Jaffé-Pierson Foundation, the Prince Bernhard Culture Fund, the Dr Hendrik Muller National Fund, 2003