Simon Luttichuys

Still Life with Chinese Vase, Hazelnuts and Orange

Simon Luttichuys  Stilleven met Chinese dekselpot, hazelnoten en sinaasappel
Simon Luttichuys  Stilleven met Chinese dekselpot, hazelnoten en sinaasappel
Simon Luttichuys  Stilleven met Chinese dekselpot, hazelnoten en sinaasappel
Simon Luttichuys  Stilleven met Chinese dekselpot, hazelnoten en sinaasappel
Simon Luttichuys  Stilleven met Chinese dekselpot, hazelnoten en sinaasappel

Simon Luttichuys
Still Life with Chinese Vase, Hazelnuts and Orange

c. 1650-1660 Visible à Salle 11

Standing on a stone tabletop is a covered jar with some hazelnuts and an orange. The jar is a porcelain Ming vase from China. The orange has also travelled from distant lands – it is a horned sour orange used to make liqueur. The white-blue porcelain and orange citrus peel look particularly good against the dark background.

Simon Luttichuys was originally from London and settled in Amsterdam. He painted portraits of the English elite, but primarily made his name with his ornate still lifes. He additionally painted a number of more sober still lifes, of which this painting is a good example.

Détails techniques
Simon Luttichuys  Stilleven met Chinese dekselpot, hazelnoten en sinaasappel

Simon Luttichuys
Still Life with Chinese Vase, Hazelnuts and Orange

c. 1650-1660 Visible à Salle 11

Acquired by the State of the Netherlands via the successieregeling (Acceptance in Lieu), 2019
Vers le haut

Détails

Informations générales
Simon Luttichuys (London 1610 - 1661 Amsterdam)
Still Life with Chinese Vase, Hazelnuts and Orange
c. 1650-1660
painting
1223
Salle 11
Détails des matériaux et techniques
oil
panel
30.2 x 22.7 cm
Inscriptions
lower right: S.L.fc

Origine

Hendricus Petrus Bremmer, The Hague, in or before 1926-1956; R.G. de Boer, Laren, 1958; P. de Boer Gallery, Amsterdam, 1979; Adolf Huber, Hailer, 1979-1983; P. de Boer Gallery, Amsterdam, 1983; private collection, The Netherlands, until 2018; acquired by the State of the Netherlands via the successieregeling (Acceptance in Lieu), 2019