Pieter van Santvoort

Dune Landscape with a Country Road

Pieter van Santvoort  Duinlandschap met een landweggetje Dune Landscape with a Country Road
Pieter van Santvoort  Duinlandschap met een landweggetje Dune Landscape with a Country Road
Pieter van Santvoort  Duinlandschap met een landweggetje Dune Landscape with a Country Road
Pieter van Santvoort  Duinlandschap met een landweggetje Dune Landscape with a Country Road
Pieter van Santvoort  Duinlandschap met een landweggetje Dune Landscape with a Country Road

Pieter van Santvoort
Dune Landscape with a Country Road

1629 展示場所 室 13

A sandy road with cart tracks winds among the dunes. Meadows are interspersed with copses, a farmhouse and a church tower. At the beginning of the seventeenth century, landscapes were often unrealistic, but this changed around 1630, when artists started painting places that were increasingly recognisable. This simple landscape by Pieter van Santvoort is an early example of this new type of landscape.

技法の詳細
Pieter van Santvoort  Duinlandschap met een landweggetje Dune Landscape with a Country Road

Pieter van Santvoort
Dune Landscape with a Country Road

1629 展示場所 室 13

上方

詳細

一般情報
Pieter van Santvoort (Amsterdam 1604/1605 - 1635 Amsterdam)
Dune Landscape with a Country Road
1629
painting
1096
室 13
材料と技法の詳細
oil
panel
31.5 x 46 cm
刻印
lower left: p. Santvoo[r]t 162[.]
indistinct

起源

Possibly sale Amsterdam, 3 June 1919, no. 29; D. Katz Gallery, Dieren, 1940; Jacques Goudstikker Gallery/Alois Miedl, Amsterdam; sold to E. Gritzbach, Berlin; Hermann Göring, Berlin; Stichting Nederlands Kunstbezit (inv. no. NK 2650); on loan from the Cultural Heritage Agency of The Netherlands, 1993-2010; transferred, 2010

artworkdetail.nkcollection

This painting is part of the Netherlands Art Property Collection (‘NK collection’): objects that were stolen, seized or purchased during the Nazi regime. After the Second World War they were placed under the administration of the Dutch State. In recent decades, applications for restitution are taken into consideration again and some objects have been returned to the heirs of their rightful owners.

For more information: visit our page on provenance research