Paul Bril

Mountainous Landscape with Saint Jerome

1204 detail signatuur
1204 detail signatuur achterzijde
1204 achterzijde
1204 voorzijde
1204 voorzijde

Paul Bril
Mountainous Landscape with Saint Jerome

1592 Visible à Salle 4

As a young painter, Paul Bril travelled from Antwerp to Rome, where he became the most influential landscape painter of his day. Bril painted this landscape on copper, a base that is excellently suited to painting fine details.

On the left, we see St Jerome, who is praying and doing penance in solitude. It is an imaginary landscape, like those painted by Flemish artists in the sixteenth century. The colours run from brown, through green to blue, making the landscape appear to stretch into infinity.

Détails techniques
1204 voorzijde

Paul Bril
Mountainous Landscape with Saint Jerome

1592 Visible à Salle 4

Acquired with support from the VriendenLoterij, the Rembrandt Association, in association with the A.M. Roeters van Lennep Fund, and Mr H.B. van der Ven, 2013
Vers le haut

Détails

Informations générales
Artiste Paul Bril (Antwerp or Breda c. 1553/1554 - 1626 Rome)
Titre Mountainous Landscape with Saint Jerome
Datation 1592
Nom de l'objet painting
Numéro d'inventaire 1204
Visible à Salle 4
Détails des matériaux et techniques
Technique oil
Matériau copper
Dimensions 25.7 x 32.8 cm
Inscriptions
Signed lower left: PB
Signed and dated on the verso: PB / 1592
incised on the surface

Origine

Shillinglee Park, Chiddingfold, Surrey, Edward Turnour, 6th Earl Winterton Collection; sale London, Christie's, 12 December 1947, lot 43 (as by Jan Brueghel; for £399 to Hallsborough); J.C. Morris Collection; London, Mrs. M.Q. Morris Collection; sale London, Sotheby’s, 29 November 1961, lot 49 (with fig., for £3000 to A. Duits); sale London, Sotheby’s, 26 March 1969, lot 82; sale London, Christie’s, 4-5 December 2012, lot 5; Johnny Van Haeften Gallery, London; acquired with support from the Vriendenloterij and the Rembrandt Association, in association with the A.M. Roeters van Lennep Fund, and Mr H.B. van der Ven, 2013