Arie de Vois

Self-Portrait as a Hunter

204 detail signatuur
204 achterzijde
204 ingelijst
204 voorzijde
204 voorzijde

Arie de Vois
Self-Portrait as a Hunter

1660 Visible à Salle 15

A hunter and his dog are sitting at the foot of a tree. The man is nonchalantly holding a dead partridge and a hunting rifle. Though it may appear an innocent scene, for Dutch seventeenth-century viewers it had erotic connotations. The words ‘jagen’ (to hunt) and ‘vogelen’ (to catch birds) also referred to courting and making love.

The hunter – in imaginary clothing – is a self-portrait of the Leiden ‘fijnschilder’, or fine painter, Arie de Vois. His paintings are distinguished from the work of the other Leiden fijnschilders by their velvety appearance.

Détails techniques
204 voorzijde

Arie de Vois
Self-Portrait as a Hunter

1660 Visible à Salle 15

Vers le haut

Détails

Informations générales
Arie de Vois (Utrecht c. 1632 - 1680 Leiden)
Self-Portrait as a Hunter
1660
painting
204
Salle 15
Détails des matériaux et techniques
oil
panel
21.8 x 28.7 cm
Inscriptions
rechtsonder: ADVois f.
ADV ineen

Origine

Samuel van Huls, The Hague, 1737; Gerard Block, The Hague, 1754; Willem Lormier, The Hague, 1754-1763; Gerret Braamcamp, Amsterdam, 1763-1771; Prince William V, The Hague, 1771-1795; confiscated by the French, transferred to the Muséum Central des Arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822