Frans Hals

《大笑的男孩》

Frans Hals  Lachende jongen Laughing Boy
Frans Hals  Lachende jongen Laughing Boy
Frans Hals  Lachende jongen Laughing Boy
Frans Hals  Lachende jongen Laughing Boy
Frans Hals  Lachende jongen Laughing Boy
Frans Hals  Lachende jongen Laughing Boy

Frans Hals
《大笑的男孩》

1625 未在展览

这个欢快大笑的男孩有着明亮的眼睛和清爽的头发—这并不是一幅肖像,而是一个“tronie”——对一个大笑的孩子的研究。大笑的人物形象并不常见,因为笑是最难捕捉的表情之一。

哈尔斯大师用非常直接和自然的方式画这个男孩,用的是相当松散的笔触。但他很清楚他在做什么。比如男孩的鼻梁是白色的一笔,位置恰到好处。

技术细节

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Frans Hals  Lachende jongen Laughing Boy

Frans Hals
《大笑的男孩》

1625 未在展览

Acquired with the support of the Rembrandt Association, the Prince Bernhard Culture Fund and the Friends of the Mauritshuis Foundation, 1968
向上

This is the most engaging laugh in seventeenth-century Dutch painting: a boy’s disarming grin rendered in loose brushstrokes by Frans Hals. Not in the least inhibited, the boy shows off his far from pearly white teeth. Also laid down in rapid strokes, his tousled hair adds to the exuberance radiating from this painting. So infectious is his merriment, both for modern viewers and also undoubtedly those of the seventeenth century, that it is almost impossible not to return his laugh.

The Laughing Boy is not a portrait. Here, Hals was not interested in producing a likeness of an existing boy, but rather in recording a spontaneous expression of joy. Smiles and laughter are notoriously difficult to depict, as is clear in the work of other artists. A painted smile quite often appears forced; sometimes it even resembles a grimace, while a burst of laughter was intended. Hals’ keen sense of observation and inimitable technique ensured that he surpassed his fellow painters in this area.

Hals painted several laughing boys and girls; in some instances as part of a series of the senses. These paintings were very popular, as evidenced by the substantial number of copies that were made of them. The fact that Hals also portrayed people laughing is unusual. Unlike now, in the seventeenth century people virtually never had themselves limned laughing. However, such a different kind of commission could safely be entrusted to an artist so skilled in depicting expressions. Nevertheless, a laugh as broad and spirited as in the Laughing Boy occurs nowhere in Hals’ portraits.

(this is a reworked version of a text published in: L. van der Vinde, Children in the Mauritshuis, The Hague 2007, pp. 44-45)

详情

基本信息
Frans Hals (Antwerp 1582/1583 - 1666 Haarlem)
《大笑的男孩》
1625
painting
1032
材料和技术细节
oil
panel
30.45 cm diameter
铭文
lower left, above the shoulder: FHF
in ligature

来源

Albert, Baron von Oppenheim, Cologne, before 1876-1912; his sale, Berlin (Lepke), 27 October 1914, postponed to 19 March 1918, lot 16; Marie-Anne Friedländer-Fuld, Baroness de Goldschmidt-Rothschild, Berlin and Paris, 1918-1968; purchased with the support of the Rembrandt Association, the Prince Bernhard Culture Fund and the Friends of the Mauritshuis Foundation, 1968