Frans Hals

《笑う少年》

Frans Hals  Lachende jongen Laughing Boy
Frans Hals  Lachende jongen Laughing Boy
Frans Hals  Lachende jongen Laughing Boy
Frans Hals  Lachende jongen Laughing Boy
Frans Hals  Lachende jongen Laughing Boy
Frans Hals  Lachende jongen Laughing Boy

Frans Hals
《笑う少年》

1625 非展示

クシャクシャ頭で眼を輝かせて笑う元気な少年-これは肖像画ではなく、笑う子供の表情を研究するための「トローニー」です。笑った顔を描くのは最も難しい課題の一つです。そのため、笑っている人物が描かれることはめったにありません。

熟練したハルスは、驚くほど自由闊達な筆遣いで一気にこの少年を描き上げました。とは言え、どう描くべきか完璧に分かりきっていました。例えば、少年の鼻梁に沿った白い線は、まさに的確に一刷毛でひかれています。

技法の詳細

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Mauritshuis - すべての音声クリップ
マウリッツハイス情報 - 一般音声ツアー
Mauritshuis Perspectief
  • マウリッツハイス情報

    一般音声ツアー

すべての音声クリップ

  • マウリッツハイス情報

    一般音声ツアー

    Mauritshuis Perspectief
Frans Hals  Lachende jongen Laughing Boy

Frans Hals
《笑う少年》

1625 非展示

Acquired with the support of the Rembrandt Association, the Prince Bernhard Culture Fund and the Friends of the Mauritshuis Foundation, 1968
上方

This is the most engaging laugh in seventeenth-century Dutch painting: a boy’s disarming grin rendered in loose brushstrokes by Frans Hals. Not in the least inhibited, the boy shows off his far from pearly white teeth. Also laid down in rapid strokes, his tousled hair adds to the exuberance radiating from this painting. So infectious is his merriment, both for modern viewers and also undoubtedly those of the seventeenth century, that it is almost impossible not to return his laugh.

The Laughing Boy is not a portrait. Here, Hals was not interested in producing a likeness of an existing boy, but rather in recording a spontaneous expression of joy. Smiles and laughter are notoriously difficult to depict, as is clear in the work of other artists. A painted smile quite often appears forced; sometimes it even resembles a grimace, while a burst of laughter was intended. Hals’ keen sense of observation and inimitable technique ensured that he surpassed his fellow painters in this area.

Hals painted several laughing boys and girls; in some instances as part of a series of the senses. These paintings were very popular, as evidenced by the substantial number of copies that were made of them. The fact that Hals also portrayed people laughing is unusual. Unlike now, in the seventeenth century people virtually never had themselves limned laughing. However, such a different kind of commission could safely be entrusted to an artist so skilled in depicting expressions. Nevertheless, a laugh as broad and spirited as in the Laughing Boy occurs nowhere in Hals’ portraits.

(this is a reworked version of a text published in: L. van der Vinde, Children in the Mauritshuis, The Hague 2007, pp. 44-45)

詳細

一般情報
Frans Hals (Antwerp 1582/1583 - 1666 Haarlem)
《笑う少年》
1625
painting
1032
材料と技法の詳細
oil
panel
30.45 cm diameter
刻印
lower left, above the shoulder: FHF
in ligature

起源

Albert, Baron von Oppenheim, Cologne, before 1876-1912; his sale, Berlin (Lepke), 27 October 1914, postponed to 19 March 1918, lot 16; Marie-Anne Friedländer-Fuld, Baroness de Goldschmidt-Rothschild, Berlin and Paris, 1918-1968; purchased with the support of the Rembrandt Association, the Prince Bernhard Culture Fund and the Friends of the Mauritshuis Foundation, 1968