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Non-commercial use
All our images can be downloaded in high resolution from our website for non-commercial use (research/study, educational purposes, personal blogs and social media).
Would you like to use our images in a publication? Please mention our credit line: "Mauritshuis, The Hague."
Commercial use
Would you like to use our images for commercial purposes? We would be happy to discuss this with you. Please contact our marketing department at images@mauritshuis.nl.
Download Image
Non-commercial use
All our images can be downloaded in high resolution from our website for non-commercial use (research/study, educational purposes, personal blogs and social media).
Would you like to use our images in a publication? Please mention our credit line: "Mauritshuis, The Hague."
Commercial use
Would you like to use our images for commercial purposes? We would be happy to discuss this with you. Please contact our marketing department at images@mauritshuis.nl.
Download Image
Non-commercial use
All our images can be downloaded in high resolution from our website for non-commercial use (research/study, educational purposes, personal blogs and social media).
Would you like to use our images in a publication? Please mention our credit line: "Mauritshuis, The Hague."
Commercial use
Would you like to use our images for commercial purposes? We would be happy to discuss this with you. Please contact our marketing department at images@mauritshuis.nl.
Simon Luttichuys
Still Life with Chinese Vase, Hazelnuts and Orange
Standing on a stone tabletop is a covered jar with some hazelnuts and an orange. The jar is a porcelain Ming vase from China. The orange has also travelled from distant lands – it is a horned sour orange used to make liqueur. The white-blue porcelain and orange citrus peel look particularly good against the dark background.
Simon Luttichuys was originally from London and settled in Amsterdam. He painted portraits of the English elite, but primarily made his name with his ornate still lifes. He additionally painted a number of more sober still lifes, of which this painting is a good example.
