Restoration
The condition of Saul and David was not ideal. Although structurally sound, it certainly looked the worse for wear. The two figures were relatively well preserved, although worn in places. The prominent vertical join and added piece were disfiguring. The paint surface was heavily flattened throughout, and the old varnish was yellowed and cracked.
Petria Noble, then Head of Conservation at the Mauritshuis, began a careful and gradual removal of the varnish and the overpaint, informed by the new research and intended to improve the painting's appearance. What emerged was a patchwork of canvases. Surprisingly, a strip at the bottom was found to display fingers, which proved to come from the same canvas (the Van Dyck copy) as the large piece at the upper right. Carol Pottasch and Susan Smelt continued with the treatment.